Webthea.com and ForumOpera.com on "Wiener Blut".


"As Papageno, Peter Edelmann has a refreshing naturalness and a sparkling voice."

- Tagesspiegel Berlin

"The baritone P.E. portrayed a very handsome Guglielmo with a core of a voice ringing slender and strong."

- Orpheus

"P.E. stands as a cultivated Papageno with a profound intensity of expression."

- Berliner Morgenpost

"The happiest event: there he is the new Danilo. P.E. has a beautiful, mellow voice. He is beaming, charming, fresh and an actor full of expression. A splendid fellow with a posh flair."

- Wiener Zeitung

"P.E. possesses a warm baritone and rendered a sensitive characterization of Wolfram von Eschenbach. Through his beautiful singing he is a bit reminiscent of a young Bernd Weikl and was one of the big stars in Professor Götz Friedrichs Tannhäuser in the Deutsche Oper Berlin."

- Rhein-Neckar-Zeitung

"Surprisingly in the role of Stolzius P.E. rises to the level of a Wozzeck, giving a riveting portrayal and an individualized vocal presence."

- Tagesspiegel Berlin

"P.E. has a properly trained lyrical voice with a good core. One is pleased about his imposing, good looks. The character of Herr Fluth is well balanced and intelligently played."

- Merker

"The most convincing of all here was the acting and splendid singing of P.E. as Eisenstein."

- Salzburger Nachrichten

"Appealing Edelmann stints on story: his voice is burly, soft-edged and appealing. Edelmann is an expressive storytelling singer...." (Lied recital)

- Boston Globe

"His rich, resounding baritone, perfectly endearing singing and acting, and subtly humorous...." (Papageno)

- The Jerusalem Post